{"id":311,"date":"2022-01-05T18:50:37","date_gmt":"2022-01-05T18:50:37","guid":{"rendered":"https:\/\/purplenoise.org\/?page_id=311"},"modified":"2023-01-05T17:05:46","modified_gmt":"2023-01-05T16:05:46","slug":"about-purple-noise","status":"publish","type":"page","link":"https:\/\/purplenoise.org\/index.php\/about-purple-noise\/","title":{"rendered":"About Purple Noise"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-ky1weykw-ad1e92331ba843d3819f89ed7aa39012\">\n#top .av_textblock_section.av-ky1weykw-ad1e92331ba843d3819f89ed7aa39012 .avia_textblock{\ncolor:#020202;\n}\n<\/style>\n<section  class='av_textblock_section av-ky1weykw-ad1e92331ba843d3819f89ed7aa39012 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock av_inherit_color'  itemprop=\"text\" ><h6><a href=\"https:\/\/purplenoise.org\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-496\" src=\"https:\/\/purplenoise.org\/wp-content\/uploads\/2022\/02\/back.jpg\" alt=\"\" width=\"78\" height=\"62\" \/><\/a><\/h6>\n<h2><\/h2>\n<h2><\/h2>\n<h2>#purplenoise<\/h2>\n<p>#purplenoise is an interdisciplinary technofeminist research group that uses real-life events to explore social media as the arena for protest and political activation. Inspired by Christina Grammatikopoulou\u2019s concept of expanded space, #purplenoise stages online-offline campaigns, communicates through various social media channels to explore its feedback loops. The research methodology puts \u201cnoisification\u201d at the center of its strategy. In this context, \u201cnoise\u201d is understood as \u201ca manipulative communication strategy which, by deliberate disturbance or confusion on communication platforms, attempts either to obscure or falsify a message or information for its recipients, or to deliberately launch false information.\u201d (Grammatikopoulou 2019)<\/p>\n<p>Strategies such as intervention, infiltration, manipulation, propaganda, fake news, manifestos and poetry are fueled by love as well as anger and are implemented with a strong visual appearance. At the heart of #purplenoise there is technofeminist propaganda: the desire to fuck over social media, to bring down platform capitalism, to reconquer public space, to escape the social control exercised by monopolies, to refine political manipulation, to use affect in order to build the common, to turn power into care, to produce more just realities, to create new narratives about the future.<\/p>\n<p>For its campaigns #purplenoise uses hashtags (specific for each action, but also some general ones like #imakenoise and #purplenoise), a meme that appears in many forms (the feelers), our freely variable gender symbols, and a fixed color code (variations of purple\/pink\/magenta, e.g. also through colored light). The feelers meme goes back to Donna Haraway\u2019s Camille Stories. In it, she describes a future scenario in which humans do not experience gender specification before puberty and, moreover, can supplement their human physical boundaries by freely selecting features from other creatures. #purplenoise chose the feelers as a playful symbol for the necessary expansion of the human sensorium.<\/p>\n<p>The group was initiated in 2018 by Cornelia Sollfrank. Janine Sack has developed the visual appearance. For each project, different collaborators come together who are listed individually for each project.<br \/>\nThe current group consists of: Magdalena G\u00f6tz,\u00a0<a href=\"https:\/\/artword.org\/\" target=\"_blank\" rel=\"noopener\">Christina Grammatikopoulou<\/a>, Marion Niewiadomski, <a href=\"http:\/\/janinesack.de\/\" target=\"_blank\" rel=\"noopener\">Janine Sack<\/a>, Sabine Siegfried, <a href=\"https:\/\/www.mocda.org\/post\/cornelia-sollfrank\" target=\"_blank\" rel=\"noopener\">Cornelia Sollfrank<\/a>, <a href=\"https:\/\/jonormal.blogspot.com\/\" target=\"_blank\" rel=\"noopener\">Johanna Thompson<\/a>, Sophie Wohlgemut.<br \/>\nFormer collaborators include: Isabel de Sena, Charlotte Bonjour, Marlene Halser, <a href=\"https:\/\/andreakelemen.com\/\" target=\"_blank\" rel=\"noopener\">Andrea Kelemen<\/a>, Andreea C.<\/p>\n<\/div><\/section>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" 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Autoclose: 1 -->\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='after_section_1'  class='main_color av_default_container_wrap container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-311'><div class='entry-content-wrapper clearfix'>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-blank.php","meta":{"footnotes":""},"class_list":["post-311","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/purplenoise.org\/index.php\/wp-json\/wp\/v2\/pages\/311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/purplenoise.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/purplenoise.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/purplenoise.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/purplenoise.org\/index.php\/wp-json\/wp\/v2\/comments?post=311"}],"version-history":[{"count":20,"href":"https:\/\/purplenoise.org\/index.php\/wp-json\/wp\/v2\/pages\/311\/revisions"}],"predecessor-version":[{"id":1074,"href":"https:\/\/purplenoise.org\/index.php\/wp-json\/wp\/v2\/pages\/311\/revisions\/1074"}],"wp:attachment":[{"href":"https:\/\/purplenoise.org\/index.php\/wp-json\/wp\/v2\/media?parent=311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}